Wednesday, January 20, 2021

Iris Owens (1929-2008)



Iris Owens was born Iris Klein on November 25, 1929, in Brooklyn, New York. Her father, Max Klein, was born in Austria. Klein was a professional gambler and his family's life unsettled as a result. In 1940, when the census enumerator found him, he was driving a fruit delivery truck. Iris' mother, named Rose, was a native of Russia and bore three children, of whom Iris was the youngest.

Iris Klein attended Barnard College and is supposed to have graduated from Brooklyn College. She was married twice before age thirty and divorced in pretty short order. She never again married and died without having any children of her own.

Iris moved to Paris in the 1950s and wrote or co-wrote five pornographic novels for Olympia Press under the name Harriet Daimler, what reviewer and novelist Herbert Gold called her nom de cochon ("pig name"). She returned to the United States in 1970 and took up residence again in New York City. Just two more books flowed from her pen, After Claude, from 1973, and Hope Diamond Refuses, from 1984. In 1975 she taught a creative writing workshop at Great Meadow Correctional Facility in Comstock, New York. As the years went by, Iris Owens made fewer and fewer forays from her apartment. Late in life (or maybe not so late) she was, according to accounts, a shut-in. Even the New York Times failed to take note of her death, which came on May 20, 2008. Described during her life and afterwards as ageless, timelessly beautiful, even Junoesque in her stature and appearance, she was seventy-eight years old when the end came.

The narrator of After Claude is a young woman writer who has returned to New York after having lived in Paris. Her name--or maybe we can call it a meta-name--is Harriet Daimler. Herbert Gold (who is still with us) reviewed After Claude for the San Francisco Examiner (July 1, 1973, p. 188), writing: "Owens Qua Daimler [has] proved one of the most important triple-headed theses of modern times: That at one and the same time a woman writer can be (1) funny, (2) pornographic and (3) ladylike." The book is indeed funny--hilarious might be a better word for it--until it isn't anymore. Like Portnoy's Complaint by Philip Roth (1969), it is a funny book about serious things and ends in a kind of sadness and loss. Mr. Gold wrote: "This book dissolves finally in hysteria, the satire troubled by real pain, and the curious abandon at the end of the book adds a dimension of pathos which is against the principles of your standard black humorist."

I snapped this book up when I saw it because of the blurbs on the cover, because it is a fairly short novel (only 219 pages), but mostly because of the cover with its classic 1970s photo illustration and typography, more so because of the classic 1970s look of the cover model. The photographer is Neal Slavin, who is also still with us. I wonder if we'll ever know the name of his subject (although she looks a little or a lot like the actress Jenny O'Hara).

If you would like to read more about Iris Owens, try "Iris Owens: Wit of the Bitch," by Izabella Scott, by clicking hereA list of books by Iris Owens, from the website Wikipedia:

As Harriet Daimler:

  • Darling (1956)
  • The Pleasure Thieves, with Marilyn Meeske, who wrote under the pseudonym Henry Crannach (1956)*
  • Innocence (1957)
  • The Organization (1957)
  • Woman (reissued as The Woman Thing) (1958)

As Iris Owens:

  • After Claude (1973)
  • Hope Diamond Refuses (1984)

Iris Owens (1929-2008)

Original text copyright 2021, 2023 Terence E. Hanley